Applying Gesso in Painting

APPLYING GESSO by Arts-chool

How to Apply Liquitex Gesso

The most viable alternative, in my opinion, is to gesso your very own painting surface. Once again, the success of a painting remains in your decision making (that’s where my online classes will benefit you), not the surface areas. I am a lazy artist and desire to do the low amount work possible. I prefer to Gesso Panels instead of fixing canvas. There are three options when it pertains to gessoing your surface:

– A flat, smooth non-textured gesso. This is ideal for little information such as wildlife and pictures. Apply three coats and do not thin down.

– A slightly textured surface. Gesso with Super Heavy Gesso Liquitex using a material roller. Do not water down. This will leave some pointed protrusions and will work well for dry brushing, which is a strategy I frequently use to suggest foliage and yard in landscape paintings. Provide a sanding after each coat, so the projections aren’t too overpowering. Apply only two coats. I find these ready-made panels to work the finest for small sizes.

– Heavy textured surface area. This is an outstanding option to reveal convincing landscape texture. You can save a lot of money on paint also. I would prefer to use this for painting larger than 16X20 inches.

The guideline is small panels should not handle heavy texture for simpleness; increase the surface as the size get more prominent. Do your general landscape drawing on the very first layer of Liquitex Super Heavy gesso performed in a smooth application. Use the second coat right out of the container in the same way and paint your shapes by using heavy loads on your brush.

For example, a waterfall will have down strokes following the water motion. Trees would handle broken, choppy strokes. Paint rocks with “band-aid strokes” and even a combination knife with heavy white gesso.

Keep in mind; you’re imitating the real colored pigment application. Pretend you are painting. Leave the smooth locations that will not have a texture for contrast such as lakes, rivers, and skies. It is essential to have the soft vs. textured areas, so the surface stands out when contrasted with the flat regions.

Let the ready gessoed surface to dry with a few days, then apply the paint. However, in this case, you do not have to use heavy makeup since you did that already with the gesso– a terrific savings technique!

Remember a 12 x 16 panel may warp, so damp the opposite side as you apply the very first layer of gesso. This whole procedure will boost the painting and help communicate a three-dimensional element.

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